*Sir Sir Sarla* explores the complexities of love through three interconnected lives. University students Sarla and Phanidhar share a deep affection for their professor, Palekar, but in very different ways. Sarla is romantically in love with him and dreams of a future together, while Phanidhar's feelings are a conflicted mix of admiration, resentment, and blame. He believes the professor's decision to distance Sarla and encourage her marriage to Keshav has left all their lives unfulfilled. As Sarla finds herself neglected in her marriage, old wounds resurface, leading to a series of confrontations that leave the audience questioning whether Professor Palekar's choices were truly the right ones.
The Lighthouse is patient and hypnotic, pulling us in with its mysterious atmosphere and characters. The film’s slow pace proves to be monumentally effective, showcasing the tedious nature that comes with isolation and poor two-way communication.
The film's Incluvie rating is off the charts. It features Black, Muslim, queer, trans humans whose moms hold them up, fight for them, and love them for who they are...making anything possible.
The [SPOILER-Free] story of Jurassic World: Dominion is that the humans never learned from their mistakes from the previous films, science is still running amok, and the world is paying the price.
So. You’ve been quarantined. For many of us in the midst of the coronavirus outbreak, we find ourselves locked in our houses, with not much to do. Here's a list of 19 movies you can catch up on!
Despite everything it was capable of, all of these poor choices strung together amount to nothing more than a counter-productive film.
Dead Poets Society relies on patriarchal tropes such as overbearing fathers, contrived brotherhood, and faux-individuality in order to portray its straight white male characters as oppressed.
