# Synopsis Translation The story follows a special child named Jibam or Ashraf who is somewhat slow-witted, but Jibam possesses a hidden gift. Jibam inherits his father Suman's talent for healing diseases. Suman is mysteriously killed in the forest, and the circumstances of his death remain a mystery. Additionally, the story introduces Tok Ngah Sudin, a character who will certainly provoke hatred and anger from every viewer due to his betrayal of friendship and his enmity with Jibam to the point where he is willing to end the life of this young child. Tok Ngah Sudin constantly torments him, and as a result, Jibam is beaten severely by Tok Ngah Sudin. It is not only Tok Ngah Sudin's character that is despicable; the character of Fakir also makes a strong impression. Fakir is Jibam's eldest brother but is a brother in name only. Fakir is neither a good brother nor a good son.
This Transgender Day of Remembrance, let us take a look at six films about transgender children grappling with their identity in a heteronormative world that despises their kind and tries its best to invalidate their feelings.
The power to function. As people, we are richly blessed to have the wide ranging scope of what we can accomplish…physically and mentally…that aid in everything we desire to strive for and, ideally, accomplish. However, what if someone was experiencing daily life with these elements….only in a more muted manner?
An action film led by two queens, fighting for what they believe in through power and pain.
'También la Iluvia' exploits Indigenous peoples' fight against the privatization of water in order to tell a story about Spanish characters.
Unknown Origins promises a cool spin on superheroes and serial killers, but ultimately delivers cheap comedy.
Netflix’s new comedy drama, Don’t Say Good Luck, is a heartwarming tearjerker as well as a love letter to the transformative power of being a theater kid. Directed by Julia Hart, Don’t Say Good Luck follows Sophie (Sunny Sandler), a theater kid who finally gets the lead role in her school’s production of Waitress - just as she finds out her mom Elizabeth (Melanie Lynskey) is dying of cancer. While the singing is by no means spectacular and Sandler’s acting is stiff, the film is grounded in the moving performance of Lynskey as a mother who wants nothing more than for her daughter to achieve her dreams, even if she can’t be there to see them.
