Incluvie – Better diversity in movies.
Identity in film with Incluvie stamps, scores, reviews.

Incluvie – Better diversity in movies.
Explore identity in film with Incluvie stamps, scores, reviews, and insights.

trailer banner
Sinistre poster

Sinistre (1994)

Micro-budget horror film shot in 1994 about three criminals whose bid to pull off the perfect heist goes horribly wrong. First, one of the three is shot during the robbery, leaving the young couple, Simon (Steve Kelly) and Lisa, (Marcia Carol Miller Dollarhide) to fend for themselves. The two decide to separate and rendezvous in a deserted house. Simon arrives first, and proceeds to spend the night there, waiting for Lisa. During the night, Simon comes face to face with the dark presences of an axe murderer (Dan Skinner) and his victims, who attempt to claim him as one of their own.
- / 5
PopScore
Representation

Pictures and Videos


Incluvie Gala

Movie Information


Micro-budget horror film shot in 1994 about three criminals whose bid to pull off the perfect heist goes horribly wrong. First, one of the three is shot during the robbery, leaving the young couple, Simon (Steve Kelly) and Lisa, (Marcia Carol Miller Dollarhide) to fend for themselves. The two decide to separate and rendezvous in a deserted house. Simon arrives first, and proceeds to spend the night there, waiting for Lisa. During the night, Simon comes face to face with the dark presences of an axe murderer (Dan Skinner) and his victims, who attempt to claim him as one of their own.

Rating:NR
Genre:Horror
Directed By:Ronnie Sortor
Written By:Todd Reynolds
In Theaters:4/25/1994
Box Office:$10,000
Runtime:73 minutes
Studio:Borderline Entertainment

Articles You May Like


Review: The Roses – Marriage and the Sweet Taste of Revenge

The Roses is a wickedly sharp marital warfare comedy that transforms domestic dysfunction into high art. Olivia Colman and Benedict Cumberbatch deliver powerhouse performances as a couple whose fairy-tale romance implodes when his architectural career collapses just as her culinary empire takes off. What makes Jay Roach's remake so devastatingly effective is its refusal to pick sides—both spouses are equally sympathetic and monstrous, wielding Tony McNamara's razor-sharp dialogue like weapons forged from shared intimacies. It's a film that dares you to laugh at relationship wreckage while forcing you to confront the uncomfortable truth that the line between passionate love and mutual destruction is terrifyingly thin.

Nilufer Ozmekik