Irma and Vep are modern-day vampires whose thirst for blood goes beyond survival—it’s all about mind-blowing pleasure.One day, Vep pays a visit to Irma, blissfully unaware of a red-yellow threat lurking on them. Once they discover the intruder, Irma and Vep find their way into revenge and ecstatic mutual enjoyment, in the ways they love the most. A story of vengeance in an era of corporate censorship and double standards about blood, sex and the feminine.
Those saying it's a bad movie simply because it's bad as a slasher should be reminded that the likes of Jordan and Alexandra often don’t get their tales told, let alone in such major releases helmed by veteran actors like Bacon.
In 'Maestro,' we're left with an impression but not with an understanding of the main character.
When it comes the horror genre, I am VERY hard to please or impress, much less scare. Coming from a current mindset of appreciation for chilling, unsettling, tension-inducing efforts such as "Hereditary", "The Conjuring" (ONLY the first one to date, mind you), "Lights Out", "The Babadook", "Midsommar", "Talk To Me", "Oddity", "Bring Her Back", and the like
'The Last Black Man in San Francisco' is part fiction, part documentary. Jimmie longs for the old Victorian home that he grew up in — the house that his grandfather built. However, this home is now in an overpriced, White, San Francisco neighborhood.
Mark Anthony Green was unable to connect all of the pieces in his debut feature film, leaving Opus as a middling entry in an already oversaturated genre.
