Unjustly booted out of the cavalry, Mike McComb strikes out for Nevada, and deciding never to be used again, ruthlessly works his way up to becoming one of the most powerful silver magnates in the west. His empire begins to fall apart as the other mining combines rise against him and his stubbornness loses him the support of his wife and old friends.
Raoul Walsh
Director
Errol Flynn
'Mike' McComb
Ann Sheridan
Georgia Moore
Thomas Mitchell
John Plato Beck
Bruce Bennett
Stanley Moore
Tom D'Andrea
'Pistol' Porter
Barton MacLane
'Banjo' Sweeney
Monte Blue
'Buck' Chevigee
Jonathan Hale
Major Spencer
Al Bridge
Sam Slade
Arthur Space
Major Ross
Ben Corbett
Sweeney Henchman (uncredited)
(Disclaimer: Harmful Language) In celebration of Pride Month, Father's Day, and father figures (and whoever supports you), I revisit Moonlight's brief but spectacular character, Juan. With overarching themes tied to masculinity, I reexamine his intimacy with Little.
As one of the women said in the film, friendship in your teens is “as important as any lover” and it’s clear they lived that philosophy throughout their early adult lives as well.
The Flounders are back in this sequel that takes place one year after the events of 'Malibu Rescue'.
A teen comedy that nobody wants to see.
Sorry to Bother You ultimately speaks to the unfair advantages that the country’s power structures award to those with the resources to control others, as Lift’s easy access to the media allows his opinion to be the only one that matters in the eyes of the unsuspecting and easily impressed public. Moreover, it reveals the extent to which the American Dream has any true validity. It postulates how the promise of success and fulfillment as promoted by the American Dream more often than not leads to the undoing of the individual. Interestingly, in its revealing of the American Dream as merely a facade, Sorry to Bother You wisely questions whether or not anything can really be done to undo a system that has been accepted and in action for centuries.
Portraying how easy it is to be an ally heavily benefits the majority audience. The more we encourage it, normalize it, and give people the tools to become one, the sooner we can co-exist peacefully.