Ashok and Geetha fall in love and vow to get back together as adults when their parents force them apart. Years later, Ashok becomes engaged to Charu and the wedding plans go smoothly until Geetha suddenly returns to Ashok's life.
After the untimely death of his brother by way of an ambush in Kandahar, Afghanistan, the protagonist, ‘81’(Alan Ritchson) unsuccessfully makes several attempts to become an Army Ranger. On his last mission to complete the Ranger selection process he and his squad encounter an otherworldly ‘soldier’.
Shudder’s Host (not a particularly original title, I must say) attempts to bring the spooks to “the quarantine generation” by presenting us with a scary Zoom call during lockdown.
Mark Anthony Green was unable to connect all of the pieces in his debut feature film, leaving Opus as a middling entry in an already oversaturated genre.
This holiday movie serves as the prequel to the TV series The Really Loud House.
Ruben Östlund muses about his characters, “As soon as you get close to a person, you see them as just another human being”. It is widely recognized that aboard the luxury yacht in ‘Triangle of Sadness’, the different groups of people represent a small society as a commentary on classism and gender binaries.
The Fog follows more of a 1950s creature feature plot than a late-70s slasher with three legendary scream queens.
