This short documentary from 1950 captures the thrill of harness racing on Prince Edward Island. We follow Bellhop's career as a pacer, from his unwilling introduction to harness through trials with a bicycle sulky (or 2-wheel cart) to his first big race. The film culminates with scenes of trotters and pacers at Charlottetown's Old Home Week.
The film follows the biblical story of Moses, from his time as a prince of Egypt, to a leader for the people of Israel. It’s a film that works brilliantly in animation, and is one that both children and adults can; enjoy despite its religious contexts, it is friendly to general audiences.
After the untimely death of his brother by way of an ambush in Kandahar, Afghanistan, the protagonist, ‘81’(Alan Ritchson) unsuccessfully makes several attempts to become an Army Ranger. On his last mission to complete the Ranger selection process he and his squad encounter an otherworldly ‘soldier’.
This romance movie has strong representation of Taiwanese people.
The fun tricks used in the production design and lighting read extremely well on-screen but hardly fulfill their purpose of trying to inject glamour into a lack-luster story with nothing to say.
The Lighthouse is patient and hypnotic, pulling us in with its mysterious atmosphere and characters. The film’s slow pace proves to be monumentally effective, showcasing the tedious nature that comes with isolation and poor two-way communication.
One of the great achievements of this film is its ability to challenge the mind and to force you to try to process information in a different way than you’re used to.
