EO, More Than Just a Lost Donkey
The human experience is described through the eyes of a marginalized outsider, neither judgmental nor invested, just an observant donkey.

When two worlds collide, the last one alive will be the least expected witness
The human experience is described through the eyes of a marginalized outsider, neither judgmental nor invested, just an observant donkey.
This Disney+ movie is about a 12-year-old math genius who wants to become a rapper.
Acutely funny and always well-intentioned, Last Week Tonight has a lot of heart for a satirical-news program.
If you mix religious rituals with dark mythology, the result will be effective, and the story powerful in 90% of the cases. That is exactly what happens at the beginning of The Vigil.
The Roses is a wickedly sharp marital warfare comedy that transforms domestic dysfunction into high art. Olivia Colman and Benedict Cumberbatch deliver powerhouse performances as a couple whose fairy-tale romance implodes when his architectural career collapses just as her culinary empire takes off. What makes Jay Roach's remake so devastatingly effective is its refusal to pick sides—both spouses are equally sympathetic and monstrous, wielding Tony McNamara's razor-sharp dialogue like weapons forged from shared intimacies. It's a film that dares you to laugh at relationship wreckage while forcing you to confront the uncomfortable truth that the line between passionate love and mutual destruction is terrifyingly thin.
This documentary moves chronologically through Black representation in horror films, revealing the genre's connections to Black history.