Getting Lost in Amsterdam
Amsterdam is a confusing movie with a meandering plot amidst a beautiful rendering of 1930s New York

Cia (Dinda Surbakti) and Ali (Jeyhan Kler) face a steep road in attaining their love. Cia, Petta Lolo's daughter, falls in love with Ali. When love becomes so deep, Cia knows that Ali is the brother of the woman who committed suicide because Cia’s brother married another woman. There is no blessing from both families. It’s fortunate that Cia and Ali have faithful friends: Ati (Nur Fadillah), Rio (Ikram Noer), and Mamak Ramlah (Husen) who always give advice and support. Yet Cia and Ali chose to elope which is also called silariang in South Sulawesi. Knowing his daughter silariang with Ali, Daeng Mariolo (Syahriar Tattoo) becomes furious. His family agrees to seek them both. Siri (self esteem) must be upheld.
Amsterdam is a confusing movie with a meandering plot amidst a beautiful rendering of 1930s New York
Wes Anderson offers a light-hearted comedy in the Middle East centering around Catholic motifs.
Netflix's Afterlife of the Party might fall into the rom-com genre, but it's much more about grief, strong female friendships, and platonic love than it is about romance.
Films can alleviate alienation by presenting realities where the viewers feelings are shared by onscreen characters. The film 'Shrek' can be interpreted as a transgender story.
Given a choice between a man and a mountain, it’s safer to choose the mountain.
Few movies deal with aging (particularly aging women) with as much compassion as Relic does. Yet it’s not sickly sweet and not a soapbox rant against ageism. Relic simply is, allowing the horror to seep in quietly and carefully.