A trusting detective is drawn into an elaborate murder plot by a beautiful femme fatale.
In all actuality, “Just Mercy” should be labeled a “wall punching narrative.” Constantly, the flick throws high forms of adversity our way, amping up our most inner levels of discomfort. Filmmaker Destin Daniel Cretton wonderfully paces the film in such a way that replicates the slow-burn nature of justice.
'Young Royals' is a great example of positive gay representation in its two main protagonists, but the supporting characters are often frustratingly selfish.
In The Novelist's Film, Hong explores the meaningful things people share and inspire by virtue of simply engaging with one another.
'The Worst Person In The World' follows a part of life I don't see often portrayed on-screen: extended adolescence.
The biggest highlight of the film is easily the performance of Andrew Garfield. In his days since hanging up his Spiderman suit, Garfield has routinely churned out great performances, and Mainstream is no exception. He proves that he is willing to try anything and go anywhere in a character.
A decade since it aired, Shameless (U.S.) has always stuck to its guns (and baseball bats) about character diversity.
