"Tow" Tells the True Story of a Woman Who Sued the System
Not only does the system prevent upward mobility, but it makes it incredibly easy to slide from comfortably middle class to unhoused.

In “S10” (2003), two female office workers wearing uniforms covered in zippers, zip together their arms and various other parts of their bodies. At this point we have entered the realm of a modern-day Shan Hai Jing inhabited by "exaggerated" creatures, a realm that is at the same time a metaphorical expression of a new concept of "subject" that is in the process of evolving organically from the individual to the other, and to the group. If we are all interconnected, just how far does the territory of the "individual" extend?
Not only does the system prevent upward mobility, but it makes it incredibly easy to slide from comfortably middle class to unhoused.
I compiled a list of women’s basketball movies and documentaries so that every type of fan can find their new favorite watch.
A film loosely based on the fairy tale Hansel and Gretel, with major twists to the original story.
In The Women and the Murderer, directors Mona Achache and Patricia Tourancheau center women—the very demographic true crime is designed to appeal to.
If you enjoy Japanese cinema, absurdly violent action films, gangster flicks, or joyfully strange cinema, 'Why Don’t You Play in Hell?' is a must-see.
Overall, “Dark Fate” is a run-of-the-mill flick. Together, Reyes and Davis have excellent chemistry, but their characters’ story is nothing new, lacking surprise and deep emotion. During the middle points, the film drags considerably, and when the action hits, it feels consistently tight, eliminating the rhythm and fluidity of conflicts.