Writing Great Villains: Why They Shouldn't Be Sympathetic
Writing great villains is about striking a balance between charming and evil, so we love them but also love to see them lose.

Daniel (Martin Pechlát) is a successful architect who has just completed the design of a skyscraper that will soon become a landmark of the city. When he is about to tell his wife Kateřina (Anna Polívková) the joyful news, he learns unexpected news in return. Kateřina went to the doctor, who found out that her kidneys were failing and the only long-term solution was a transplant. So to give or not to give? This is the question Daniel must solve. Will he offer his wife a kidney, which may cost him his life, or will he not offer, which may cost him marriage? And how will their friends Erik (Mira Nosek) and Diana (Barbora Seidlová), who hoped to enjoy a carefree weekend and celebrate Kateřina's birthday together, step in?
Writing great villains is about striking a balance between charming and evil, so we love them but also love to see them lose.
A summary of the films featured in this annual event taking place in Westchester.
Of the 28 total films I watched, just six of them were queer or featured queer characters in some way.
Lin-Manuel Miranda’s 'Vivo' is a children's animated musical rich in Hispanic culture! The story follows a kinkajou as he delivers a love song for a friend.
When you don’t factor in the plethora of inferior sequels that have been produced, Luca is one of Pixar’s simplest and most unassuming films in years — and there is absolutely nothing wrong with that. The film thrives on being a visual feast with a warm message for all ages, so much so that its unoriginal storyline doesn’t feel that big of a problem.
I love The Last Jedi. I don’t think there has been a Star Wars movie in quite some time that brought something new, something fresh to the table.