
Goof and Hugo are flatmates in Amsterdam who have made a tidy sum from having sex with tourists, then robbing them. Their goal is to spend the money together on a world trip and their scam is going well until they meet Lara, originally from Siberia, whom Goof becomes besotted with.
The character of Mulan is one of Disney’s best heroines. She’s brave, kicks butt, and has a kill count. What other Disney character has killed hundreds of Huns by crushing them with an avalanche? No one.
Disguised as a cosmic highway horror, Alexander Ullom’s It Ends is a beautiful, albeit terrifying, metaphor for learning that if you want to survive adulthood and become your own person, you have to learn to let people go.
“Ad Astra” is a film that possesses similar beats to sci-fi classics, falling into the realm of cinematic hypnotism, and pulling us in with its mysteriously intoxicating identity.
There’s been a longstanding criticism of sci-fi films about its lack of Black characters. For the past few years, Anthony Mackie has been successfully representing Black masculinity in the otherwise homogenous genre and I am here for it.
This powerful story shines with poetic animation, an exploration of deeper truths, and the protagonist's complex search for identity.