“Onslaught” is Insensitive, to Say the Least
Between its problematic nature, its lack of originality, and the senselessness of its violence, Onslaught cannot be recommended in good faith.

Max is single, ophthalmologist, and a real mama's boy. Until she suddenly dies. Max should be devastated, yet he seems to be coping well. Too well. He actually still sees her, talks to her. She is not gone, still here, still close to her beloved baby boy. Max knows she is dead, yet he holds on to this impossible reality. Until he starts sharing his office with Ohiana, a shrink who he slowly falls in love with. Mom is not going to like it.
Between its problematic nature, its lack of originality, and the senselessness of its violence, Onslaught cannot be recommended in good faith.
Jennifer Lopez leads the story as Zoe, a determined woman who opts for artificial insemination after a string of failed relationships. Lopez's portrayal adds depth and warmth to Zoe
Remakes. Reboots. Reinventions. Redundancy. It's the common practice in Hollywood of late, sometimes offering us victorious reimagining of what can be considered cinematic classics while also, more often, falling flat on their UN-imaginative faces in utter defeat and lackluster results. Admittedly, with this in mind, I went into the newest incarnation of "The War of the Roses" with typical trepidation and cautious optimism.
The classic ghosts-in-revenge story expanded into an extensive dig into the historical social system while being funny and horny.
Gretel & Hansel falters due to its razor thin story and lack of characterization. It loses sight of horror’s key rule: In order to create an effective tale, characters and emotions must be emphasized.
A socially conscious film that draws attention to the plight of American military veterans.