Writing Great Villains: Why They Shouldn't Be Sympathetic
Writing great villains is about striking a balance between charming and evil, so we love them but also love to see them lose.

Floyd Benson, a neurotic college student, must learn to overcome his fears and discover who he truly is after he's forced to confront a particularly unique hygiene problem.
Writing great villains is about striking a balance between charming and evil, so we love them but also love to see them lose.
The latest installment in the beloved media franchise is a unique stylized mesh of humor and heart.
The director's latest is a dreamlike exploration of a consciousness torn between two homelands, and the implications of history and memory suspended in limbo.
America is the crux of the storyline: she is the only person in existence with the power to jump between universes. As central as America is to the Multiverse of Madness story, she somehow didn’t get that much to do.
Liar, Liar, Vampire takes a bite out of clichés in romances between vampires and teenagers. Anything but boring and dripping with fun, it's a Halloween story with a twist.
American Fiction is a genuinely entertaining film with a few lessons.