Maybe We’ve Finally Learned Our Lesson - Jurassic World: Rebirth
Life may find a way, but is it worth testing its fierceness and how far it will go?


The world seems to be getting more and more unsafe for transgender people. Varying legislation in the USA and the UK are having negative impacts on the mental health of trans people. From making gender-affirming healthcare less accessible to not acknowledging pronouns, the world seems to be hyperfocused on attacking people who aren’t cisgender. Though adults are unfortunately often the victims of hate crimes, the toll isn’t less on children. They aren’t allowed to claim different identities from what they’re assigned at birth, and often even lack the resources required to understand how they’re feeling. There are severe efforts being made to hide awareness that some people are transgender, feeling a different gender identity that does not align with their expected gender and birth sex.
This causes children with trans identity to grow up with a lot of resentment for themselves. Films can often alleviate the alienation by presenting realities where these feelings are shared by characters. Animation as a medium of storytelling is in no way meant just for children but the following four films can be thought to be open to all ages including children and as I hope my readings will reveal, they could be interpreted as transgender stories.

It ain't easy bein' green -- especially if you're a likable (albeit smelly) ogre named Shrek. On a mission to retrieve a gorgeous princess from the clutches of a fire-breathing dragon, Shrek teams up with an unlikely compatriot -- a wisecracking donkey.
Life may find a way, but is it worth testing its fierceness and how far it will go?
Disney+'s The Falcon and the Winter Soldier is over, but that doesn’t mean discussion about it has stopped. One of the most controversial characters on the show that’s still stirring up discourse is John Walker. Many have debated his morality online: Is he a hero, a villain, an anti-hero?
The social issues The Half of it takes on are handled well, between the antagonization brought on to Ellie for her race and the conflict that arises from her being gay. Both aspects of her character are built up over the course of the film and don’t seem abrupt or rushed. The film shows racism towards Ellie and her and father in varying levels, from having her schoolmates specifically address her as "Chinese girl” to the fore mentioned way her Dad is treated due to language barriers. The same can be said about Ellie being a lesbian. While she never truly “comes out” in the narrative, that does not undermine her journey of self-discovery from being meaningful. These ideas aren’t thrust upon the viewer in a preachy manor, the scenarios that occur feel believable given the rural setting. The film presents watchers with problems whom those like Ellie may face, and leaves us to sit with them and reflect.