Writing Great Villains: Why They Shouldn't Be Sympathetic
Writing great villains is about striking a balance between charming and evil, so we love them but also love to see them lose.

The first installment of the Showa Gamblers series. In 1964, as Tokyo buzzes with excitement over the upcoming Olympics, Ginzaki of the Kansai Senba Union approaches Hanamura, the leader of the “Asakusa Union Eight,” who controls the gambling dens in the Asakusa area. He proposes a joint operation for a grand gambling event.
Writing great villains is about striking a balance between charming and evil, so we love them but also love to see them lose.
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