Sweet Girl's Mind-Boggling Twist Makes the Movie... Feminist
For the most part, 'Sweet Girl' recycles tired hyper masculine revenge tropes, but a surprise twist in the end turns it into a female-centric revenge film.

Idan and Elad, both straight, meet for the first time after they are picked up by a girl they each meet at a bar. The three of them go back to her place and end up in bed together but the men, during the act, are inexplicably unable to take their eyes off each other. After the girl has fallen asleep, Idan and Elad, sitting in bed and unable to sleep, initiate an awkward conversation, both trying to reach out to the other and understand those new feelings stirring inside of them.
For the most part, 'Sweet Girl' recycles tired hyper masculine revenge tropes, but a surprise twist in the end turns it into a female-centric revenge film.
A strong representation of African Americans in this film features evil spirits and horror-themed elements.
Suppressed intergenerational family trauma and healing, warm welcome to the Marvel Cinematic Universe team, and Awkwafina's humor really make this film the real MVP.
Religion, race and generations collide in this romantic comedy starring Jonah Hill
The Christmas Horror section of films is growing, and today we present a bold selection of new and old Christmas horror films to celebrate this macabre union.
Remakes. Reboots. Reinventions. Redundancy. It's the common practice in Hollywood of late, sometimes offering us victorious reimagining of what can be considered cinematic classics while also, more often, falling flat on their UN-imaginative faces in utter defeat and lackluster results. Admittedly, with this in mind, I went into the newest incarnation of "The War of the Roses" with typical trepidation and cautious optimism.