Afterlife of the Party: An Exploration of Female Friendship
Netflix's Afterlife of the Party might fall into the rom-com genre, but it's much more about grief, strong female friendships, and platonic love than it is about romance.

SHORT ORDER tells a story so vibrantly sumptuous each still could be served as its own meal. Amidst the quaint Parisian street night, Fifi Koko runs a petty short order diner. Although her name is famous in chef circles she has placed her uncanny culinary skills on the back burner as she falls prey to an existential quagmire that fears her talent shall not overcome the expectations her reputation has sown. The late hours play out as Fifi must face her talent and unrequited love for a friend, while a collective stream of colorful creatures of the night make through Fifi's consciousness to feed her with temptation, insight, and humor on the path of her life-defining decision.
Netflix's Afterlife of the Party might fall into the rom-com genre, but it's much more about grief, strong female friendships, and platonic love than it is about romance.
Ultimately the problem with The Bubble is that it plays everything for laughs to get around the audience’s defenses. But it comes off like a privileged white male thinking that ridiculing everyone else equally is the road to equality. And it’s not. And it's definitely not funny to pretend that it is.
What seems like such a simple story of survival is so much more than that—it’s a story of family, and of war, and of destruction. It’s painful to watch, but not in a bad way. It makes its audience reflect on their own actions, and in how they are complicit in the sufferings of others as the adults in this film are. Grave of the Fireflies does not hold back from being heartbreaking, and it shouldn’t. It tells a message that needs to be heard decades after the war, and a story that cannot be forgotten by history.
The human experience is described through the eyes of a marginalized outsider, neither judgmental nor invested, just an observant donkey.
A strong representation of African Americans in this film features evil spirits and horror-themed elements.
Ben Affleck leads The Way Back, a seemingly cathartic film for him after the actor’s recent bouts with alcoholism and rehab. He plays Jack, a man fighting his own battles who happens upon coaching a boys’ basketball team, the same team he once played for back in high school.