London 1939. In the weeks before the beginning of the Second World War, the Say When jazz club keeps London's Shoreditch swinging. Run by Thomas (Richie) and his wife Massie (Natasha Wightman), it's a place where gangsters and aristocrats, home office gents, and loose women can kick back and relax. Thomas' job is to keep everything running smoothly. But when he starts having an affair with singer Butterfly (Joely Richardson), this carefully balanced world disintegrates into blackmail, drugs, and suicide.
The film is a simple love story reminiscent of stories like The Notebook released in 2004. Sylvie and Robert are rarely actually together in the film, however; time and circumstance keep them away from each other, and the audience waits with bated breath to see them find one another over and over.
For those that are unaware, the trailer for the new Civil Rights movie Till has been out and it's absolutely amazing for all to see.
Fire Island is the more inclusive film of the two with the bi-phobic definition of pansexuality in The Thing About Harry and its obvious lack of colour on screen
It only seems to prove that when the company had their backs against the wall and needed an all pleasing, generic movie that had to make up for The Last Jedi, they chose to sacrifice almost everything that made their main protagonist interesting and that made her stand out as the strong female character that a generation of young movie goers was supposed to look up to. Instead, we were left with a Rey that was so much less than she could have been. And I guess that’s the real story of Rey and The Rise of Skywalker; they could have been so much more, but they were just more of the same.
As legal dramas go, we rarely see an African-American actor in the lead role. "The Burial" has several.
Netflix’s new mystery thriller, The Marked Woman (released originally as La Desconocida), is confusing. More critically, though, it commits the worst mistake a movie can make: it’s boring. From Spanish director Gabe Ibáñez, the film squanders its premise at every turn, fills the story with unlikeable characters, and lacks emotional payoff.
