
Tom Travis, a bad man, comes to New Mexico. He sees Vicky, the sheriff's daughter, playing a part for a motion picture company. The action calls for Vicky to be overcome by the villain and thrown on a horse. Tom, not understanding the action, blazes away at the villain, and the bullet passes through the actor's hat, chasing the horse upon which Vicky is riding. Tom, coming up with Vicky, believes he has saved her. The director and Vicky's father think Tom a great actor. The sheriff, however, discovers that Tom has the reputation of a "bad" man, and orders him to stay away.
Films staring black transgender actresses/actors are few and far between, it’s refreshing to see a demographic represented in film that hardly gets any attention. This is especially important as the Black trans community has been shown in studies to face the highest level of discrimination amongst general trans and non-binary groups. That is why it’s so crucial that we amplify their voices through any way we can, storytelling being a great medium to do so.
Every movement becomes a question of identity. To become who we are meant to be. In order to reach that we often have to shed who we once were, and that shedding can sometimes be so brutal it’s ungraceful.
One Night in Miami... did not frame the racism and bigotry as something that could be solved by quality time spent between individuals. Instead, it featured four different legends of Black History together in one room disagreeing for about 2/3 of the film.
The film's storylines read as allegories for the queer experience and that's a source of solace for LGBTQIA+ fans!
Mirrorball is full of passion and love for the medium of cinema and is indeed a fitting love letter to La La Land.