Inuit Girls Hunt Alien Monsters in ‘Slash/Back’
Inuit girls use their Inuit tradition to hunt down alien monsters, enough said.

A pair of films shot in Shonan in the 1990s - An novelist and his girlfriend meet on the lighthouse on Enoshima - A student realizes he hasn't been having dreams; his girlfriend tells him that she saw his dream.
Inuit girls use their Inuit tradition to hunt down alien monsters, enough said.
There’s enough evidence to insinuate that What We Do in the Shadows is intentionally queer-coded.
Thunder Force brings much-needed diversity to the superhero genre. Unfortunately, it's also an uninteresting and unfunny mess.
Growing up without a dad, I got a lot of my fatherly advice from the prototypes I saw on the silver screen. It’s these characters and films that gave me a glimpse into a dynamic I had never known but also made me realize that I was missing out. Here are my top 10 paternal films.
This film manages to be simultaneously topical and timeless. Without being preachy, it highlights society’s flawed relationship with tech; insights into the complex ideas of family struggle are expertly dispersed among a perfectly paced and balanced story.
Strangers in a crowd, exchanging glances, looking away, continually managing to run into each other then part ways, end up at the same diner, find they've rented the exact same vehicles, and are then made to travel together to learn once more whether they can both find genuine adoration and companionship again. This really does, in so many words, sum up the foundational gist of of this new feature film from writer Seth Reiss ("The Menu") and director Kogonada ("The Acolyte", "After Yang"). Yet, it's all only the set-up for the REAL wonder of everything that happens before, during, and in the aftermath of a magical, meaningful journey.