In his latest film, Shirome, Stardust Promotion's relatively new pop idol unit Momoiro Clover star as a group of girls who enter an old abandoned school hoping to have their wishes granted by a spirit called Shirome. The girls initially had no clue they were being filmed for a movie at all. Instead, they were told that they were being filmed for an upcoming television show exploring haunted locations. The result is a faux documentary style in the same vein as "The Blair Witch Project" and "Paranormal Activity".
Hustlers was meant to be a film about female empowerment. And it was, to a certain extent. I expected and wanted this to be a kickass and complex film of sexy women who use their confidence, skills, and wits towards a brilliant plan to get revenge on the Wall Street guys who wronged them.
Unfortunately, People We Meet on Vacation didn’t hold up quite as well as I’d hoped.
Korean pop culture has mastered emotions as both a scientific field and an artistic revolution. Think of how K-Pop and K-Dramas have taken over the world. How? Simply put — they are addictive. How are they addictive?
I first saw Dear Evan Hansen on the Broadway stage. Apparently, I was so blown away by the magic of theater that I didn’t pick up on the questionable dynamics. The story's clumsy handling in the movie brought those issues to light.
Asha, the main character, is a biracial woman who discovers the power of magic wishing dust.
Animation as a medium of storytelling can be thought to be open to all ages and as I hope my readings will reveal, they could be interpreted as transgender stories.
