We Are Pat (2025): Reclaiming a Controversial 90s Icon
Can a piece of bad representation truly be reclaimed? We Are Pat (2025) attempts to answer this question.

The film shows the eternal conflict between the happy, carefree sector of Mexican high society, and the oppressed poor rural sector. The protagonist is Tomás, a restless and lucky boy. Tomás is the point of convergence between the conservative system which is threatened by the terrible injustice of the Third World.
Can a piece of bad representation truly be reclaimed? We Are Pat (2025) attempts to answer this question.
A homeless girl faces depression and uncertainty during the holidays.
Gay representation is out there, but to portray a character who's gay as a big, happy brute is a rare treat.
My review’s title is a nod to Shakespeare and is entirely deliberate. The original movie portrayed the high-end fashion world as a brutal arena of plotting, backstabbing, and betrayal, and most Shakespeare’s plays depend on these plot devices. The Devil Wears Prada 2 uses the same formula, and is, plot-wise, almost identical. Once again, we plunge into the cutthroat world of Runway, where to get and stay at the top, you must let go of your principles and moral sense. The only thing different is that due to the digital era, Runway is not a print magazine anymore, but one that is running online.