
In a small town in Patagonia (Southern Argentina), a Mapuche Indian chief sets a tourist complex under construction on fire. He denies all attempts to defend himself. Locked up, he waits for the arrival of "Caleuche," the Ship (Nave) of Fools (de los locos), a mythical figure of his ancestral strength which "made" him start the fire. An appointed lawyer (a white woman) comes to the chief's defence, alleging the chief had acted in self-defense as the white man was building commercial structures on the sacred burial grounds of his ancestors, and continued doing so even after heated protests.
"A Drowning Man" (2017) explores the unseen aspects of the Refugee Crisis. In, 15 far-too-short minutes, viewers are given a detailed snapshot of what it's like for a refugee to drown in the waters of poverty and otherness while trying to navigate a land whose promise has worn off, and only 'strange' remains.
If you mix religious rituals with dark mythology, the result will be effective, and the story powerful in 90% of the cases. That is exactly what happens at the beginning of The Vigil.
John Fawcett’s "Ginger Snaps" intertwines the lore of the werewolf to the hellish experience of a young girl going through puberty.
Lin-Manuel Miranda's Tony-winning musical translates beautifully to the screen.