“Birds of Prey” and the Fantabulous Emancipation from the DCEU
Birds of Prey has some of the best stunt work and choreography of 2020, and was the most fun I’d had in an action film since John Wick 3.

Tetsumu, an introverted youth, realizes he has a natural ability of communicating with elephants. This prompts him to leave for Chiang Mai in Thailand to become Japan's first elephant trainer. Having found his place in the world, Tetsumu develops into a strong, confident young man. He returns to Japan with the dream of building a green "paradise" for his ivory-tusked friends. Meanwhile, he starts a career as an elephant trainer for touring shows. He meets Emi, a woman seven years his senior and falls in love.
Birds of Prey has some of the best stunt work and choreography of 2020, and was the most fun I’d had in an action film since John Wick 3.
Horse racing is a very difficult sport and challenge, especially for a young woman like Michelle Payne.
Ultra-violent storytelling has never been my thing, but the issues with Scarface go beyond that. The film perpetuates harmful stereotypes about Latinx immigrants and uses gore and misogyny for shock value that never serves any purpose. The whole venture is frustratingly empty, and left me desiring something more.
The sequel to the first film, A Second Chance: Rivals! talks about Maddy combating cyberbullying and racism.
With The Father, writer-director Florian Zeller- who wrote and developed the play upon which the film is based- pulls no punches as he confidently makes every effort to put the audience in the mind of someone whose grip on reality has all but vanished. It’s a dazzling testament to Zeller’s abilities as a director as he makes his first transition from stage to film appear as if he’s been working behind a camera his entire career. The dialogue he fashions with co-writer Christopher Hampton, along with the work of production designers Peter Francis and Cathy Featherstone, collectively makes the downward spiral of dementia startlingly tangible, doing so in a way that can be comprehended by everyone except the person it directly affects.
A teen comedy that nobody wants to see.