‘Oppenheimer’: The Man Behind the Myth
‘Oppenheimer’ is a force to be reckoned with. A biopic that respects the audience’s intelligence.

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‘Oppenheimer’ is a force to be reckoned with. A biopic that respects the audience’s intelligence.
The Roses is a wickedly sharp marital warfare comedy that transforms domestic dysfunction into high art. Olivia Colman and Benedict Cumberbatch deliver powerhouse performances as a couple whose fairy-tale romance implodes when his architectural career collapses just as her culinary empire takes off. What makes Jay Roach's remake so devastatingly effective is its refusal to pick sides—both spouses are equally sympathetic and monstrous, wielding Tony McNamara's razor-sharp dialogue like weapons forged from shared intimacies. It's a film that dares you to laugh at relationship wreckage while forcing you to confront the uncomfortable truth that the line between passionate love and mutual destruction is terrifyingly thin.
The original Mothra is a fun monster movie that has way stronger lore, music, and special effects than most of its contemporaries.
This film was filled with great plot points. Unfortunately, they all contradicted each other and clashed. Had the premise of Awake been more consistent and accurately portrayed the real world aspect, I think this could have been an extreme success.
The Gates, John Burr’s new thriller film, is a disturbingly realistic portrayal of three Black twenty-somethings - Derek (Mason Gooding), Kevin (Algee Smith), and Tyon (Keith Powers), as they accidentally take a wrong turn into a gated community that’s more like a modern-day sundown town. The three friends witness a variety of crimes in their new surroundings, including an attempted homicide and an attempted rape. As they attempt to alert the authorities and do the right thing, they are thwarted at every turn by the worst horror stories of American conservatism - racist white suburbanites, reckless gun violence, corrupt police, religious mania, and a megalomaniacal pastor.
'Easy A' is emblematic of a world that liked to sarcastically pretend it was progressive but wasn’t actually ready for that change, making it pretty anti-sex.