Don’t Give Disney a Pat on the Back for Doing the Bare Minimum
Disney has cleverly managed to dance around the misdeeds of their past by scraping by with an insincere action that does very little to incite any long-lasting positive changes.

SHINE Wrestling presents SHINE 19, Ybor City, FL, 5/23/2014. Live Event Hostess Heather Lynn. Matches include: • 10 Woman Elimination Tag Team War! No Time Limit! SHINE Champion Ivelisse, Jessicka Havok, Tracy Taylor & SHINE Tag Team Champions The Luchas Sisters (Leva & Mia Yim) vs. VALKYRIE of Serena Deeb, Su Yung, April Hunter & Made In Sin (Allysin Kay & Taylor Made) • Amazing Kong w/ Daffney vs. Athena • Niya Barela vs. La Rosa Negra • Leah Von Dutch vs. Taeler Hendrix • Nevaeh vs. Justine Silver • Solo Darling w/ Daffney vs. Luscious Latasha • Plus Special Appearances by Fighting Phenom Noemi “La Rebelde” Bosques & Carmin from The Mike Calta Show!
Disney has cleverly managed to dance around the misdeeds of their past by scraping by with an insincere action that does very little to incite any long-lasting positive changes.
As many of us know, Marvel Studios has taken an interest in women-led superhero films, but some of us are oblivious to the women behind the camera and pen.
The 2020 remake of 'The Invisible Man' explores the hidden nature of domestic violence with a classic sci-fi character.
In Spike Lee’s She’s Gotta Have It (1986), we follow the love life of powerful female protagonist Nola Darling (Tracy Camilla Johns) and explore the relationship dynamics she has with her partners. She sees three men simultaneously: Greer Childs, (John Canada Terrell) Mars Blackmon (Spike Lee), and Jamie Overstreet (Tommy Redmond Hicks). Though an 80’s film, She’s Gotta Have It is surprisingly progressive with its themes of female sexuality, although at some points in the film it is handled clumsily. Overall Nola is an incredibly compelling character especially for modern women, as we as a society acknowledge female sensuality more and more without the negative stigma.
Crossroads follows a young guitarist on a journey through the American South in search of blues history and his own voice.
America is the crux of the storyline: she is the only person in existence with the power to jump between universes. As central as America is to the Multiverse of Madness story, she somehow didn’t get that much to do.