“Pressure” Puts on the Pressure
Pressure is an unambiguously great movie, lead by convincing performances, a well-crafted script, good direction, and at least some social awareness.

The strongest professional mahjong syndicate in Kansai, backed by Western Japan's largest illegal organization, sets out to conquer Tokyo! Assigned this special mission, the “Dragon of Minami” uses his speed honed in buu mahjong and his teamwork with his wife, Ritsuko, to defeat one Kanto-based professional after another. Meanwhile, Shoichi Sakurai, visiting the grave of a mahjong player he killed in retaliation for an underground match, encounters former opponent Hiromitsu Nishimura. The Tokyo faction, now in total disarray, had even approached the retired Nishimura to act as their rep player. But, having sworn off mahjong as a promise to Sakurai, Nishimura agonizes. Win the match, die. Lose the match, die. Sensing Nishimura's predicament, Sakurai enters the high-stakes arena alone. The curtain rises on the East-West Mahjong Showdown, the greatest match in Japan!
Pressure is an unambiguously great movie, lead by convincing performances, a well-crafted script, good direction, and at least some social awareness.
The film didn’t have to be as long as it is. It just dragged on and on with scenes that had no substance. Every so often we get an action scene, and even those isn’t that fun.
Writing great villains is about striking a balance between charming and evil, so we love them but also love to see them lose.
Poor Black characters are usually surrounded by crime and violence, while poor White characters are portrayed as noble and hard-working.
It is a truth universally acknowledged that a single woman will be happiest if she marries a man with a good fortune, similar upbringing, matching attractiveness levels, and compatible politics.
The Vietnamese perspective is not only completely ignored in 'The Greatest Beer Run Ever', but it is blatantly whitewashed and disrespected.