Shimajiro and friends embark on a journey through the desert to help young Coco reunite with her mother after being separated in a fierce sandstorm.
Hiro Takashima, Isamu Hirabayashi
Director
Omi Minami
Shimano Shimajiro
Miki Takahashi
Midorihara Mimirin / Hana / Coco
Takumi Yamazaki
Sorano Torippii
Saori Sugimoto
Momoyama Nyakkii
Minoru Inaba
Gaogao-san
Kikuko Inoue
Shimajiro's Mother / Coco's Mother
Chafurin
Shimajiro's Father
Kanon Kimoto
Cowcow
Turtles / Tsurukamezu / Uncle Fusokoro
Mummy-D
MC Spike
Hanako Yamada
Rattlesnake
The character of Mulan is one of Disney’s best heroines. She’s brave, kicks butt, and has a kill count. What other Disney character has killed hundreds of Huns by crushing them with an avalanche? No one.
The 1950s lesbian romance is stunning, emotional, restrained, and, simply put, one of the best movies I’ve ever seen depicting a woman-loving-woman (WLW) relationship.
In My Octopus Teacher, documentary filmmaker Craig Foster models healthy masculinity by showing us a trusting, gentle, and emotionally fulfilling bond with an octopus.
Like most young people, Leviticus is imperfect. But I love it anyways.
The Conjuring: The Last Rites delivers a thrilling mix of scares and heart. From the axe-wielding ghost to the Warrens’ emotional farewell, Patrick Wilson and Vera Farmiga shine. Fans get a chilling, atmospheric conclusion that’s worth watching in theaters.
Perhaps the most amazing and groundbreaking quality about The Birdcage is how removed it is from both illness and insensitivity. Whereas films preceding it were often somber stories about the tribulations of being gay in a conservatively straight world, Nichols and screenwriter Elaine May expose the fallacies of conservatism as traditional values are thrown into a more open-minded space. They don’t care how far the community has fallen so much as how high they can rebuild themselves.