Incluvie – Better diversity in movies.
Identity in film with Incluvie stamps, scores, reviews.

Incluvie – Better diversity in movies.
Explore identity in film with Incluvie stamps, scores, reviews, and insights.

trailer banner
Sherbet poster

Sherbet 

Ena and Sale – both of them destructive and hungry for life – meet. As they are trying to interpret their feelings, the two are pressured by the burdens of their past and haunted by their fears. Through acts of aggression on the outskirts of a dirty city, they test the limits of their love.
- / 5
PopScore
Representation

Pictures and Videos


Incluvie Gala

Movie Information


Ena and Sale – both of them destructive and hungry for life – meet. As they are trying to interpret their feelings, the two are pressured by the burdens of their past and haunted by their fears. Through acts of aggression on the outskirts of a dirty city, they test the limits of their love.

Rating:
Genre:Drama
Directed By:Nikola Stojanović
Written By:Nađa Petrović, Nikola Stojanović
In Theaters:
Box Office:

Runtime:19 minutes
Studio:Fakultet Dramskih Umetnosti Beograd (FDU)

Articles You May Like


"First Girl I Loved": A Well-Intended but Ultimately Flawed Story of Identity

Despite its glaring flaws, First Girl I Loved is not entirely undeserving of a watch. For people who can handle the more difficult aspects of the story and graphic scenes, it is worth looking into. It’s not a film worthy of rewatch, but it may still resonate somewhat with those who need a story like this. It is a genuine, if flimsy attempt at a coming-of-age tale. Were the film to be directed by someone with experiences more similar to Anne, it would likely be more powerful--as it is, it feels like a man’s perspective of what it means to come to terms with your identity as a lesbian. 

Marisa Jones

Short Film Review “With Arms Raised” A car ride, conversation, what we’ve experienced, personal judgements, and what we resort to is explored with both enigmatic then striking impact

“And I think to myself….what a wonderful world”. Louis Armstrong sang about this notion via his classic 1967 song, an ode to witnessing elements of our life that should be but some reminders of exactly what that concluding line of each verse indicates. Now we see our contemporary realities and, just being honest, it makes a sentiment like this seem SO overtly far away….perhaps even impossible….to accept or believe could be. It sounds harsh, but again, so much of what is occurring speaks not to beauty, but bedlam.

Kirk Fernwood