Shendy Wu, a diary 

The Roses is a wickedly sharp marital warfare comedy that transforms domestic dysfunction into high art. Olivia Colman and Benedict Cumberbatch deliver powerhouse performances as a couple whose fairy-tale romance implodes when his architectural career collapses just as her culinary empire takes off. What makes Jay Roach's remake so devastatingly effective is its refusal to pick sides—both spouses are equally sympathetic and monstrous, wielding Tony McNamara's razor-sharp dialogue like weapons forged from shared intimacies. It's a film that dares you to laugh at relationship wreckage while forcing you to confront the uncomfortable truth that the line between passionate love and mutual destruction is terrifyingly thin.

I love The Last Jedi. I don’t think there has been a Star Wars movie in quite some time that brought something new, something fresh to the table.

'Living' dives into many themes that we can all understand regardless of our cultural backgrounds. We can see this through the shared similarities between 'Ikiru' and 'Living'.

Dune has stunning visuals, a striking soundtrack, and great performances. But it has issues everywhere from its pacing, to its story, to its diverse representation.

Madres takes place in the 70’s following a Hispanic married couple who move to a migrant farming community. Diana, who is pregnant, starts to become suspicious of their new environment after she and the women around her develop strange symptoms. Could it be a curse, a sickness, or something else?