'Strays' (2023)
This anti-love young adult movie includes mature topics and dialogue.

At the Covenant House, located on the outskirts of the French Quarter in New Orleans, Louisiana, the doors never close, and there is always room for one more. On any given day, a constant stream of young people carrying everything they own in plastic garbage bags fills the courtyard. The prospective residents are just teenagers, but have already been labeled drug addicts, schizophrenics, criminals and outcasts. As one staff member puts it, “the most damaged population of youth that exists in society today”. Filming over the course of a full year, brothers Brent and Craig Renaud tell the raw and emotional stories of the incredible kids who seek shelter at the Covenant House, and the staff struggling to work miracles everyday on their behalf.
This anti-love young adult movie includes mature topics and dialogue.
A cat-and-mouse chase that will make viewers nostalgic for the cartoon series.
The major flaw of the series is that it’s hosted on Netflix and barely makes malicious comments about it despite being focused on the lives of people directly affected by the Capitalist mentality of the OTT corporation.
Strangers in a crowd, exchanging glances, looking away, continually managing to run into each other then part ways, end up at the same diner, find they've rented the exact same vehicles, and are then made to travel together to learn once more whether they can both find genuine adoration and companionship again. This really does, in so many words, sum up the foundational gist of of this new feature film from writer Seth Reiss ("The Menu") and director Kogonada ("The Acolyte", "After Yang"). Yet, it's all only the set-up for the REAL wonder of everything that happens before, during, and in the aftermath of a magical, meaningful journey.
In the film adaptation, director Jon M. Chu turns each musical number into a massive show stopper, with grand set pieces and a wealth of diverse dancers. Yet, in this attempt to show reverence for the people of the Washington Heights barrio, Chu, or maybe more specifically those in charge of casting, left out a crucial part of the community, Afro-Latinos.
Alfred Hitchcock’s 1960 film "Pyscho" is an American film classic that still resonates today.