Noushin has returned to Iran after years, upon a request by her severely ill father to find a person that he needs to see. Her father finds this visit the most important duty of his life before passing away. Sheen is about a family secret that has been kept for many years. Shirin, the house maid’s daughter while playing with the owners’ children in the old house, falls in the well in the middle of the yard. Her body was never recovered. Her mother was pushed out of the house. They covered the well and abandoned the house. The family members encountered many unfortunate events throughout the years and didn’t have a happy life. They have returned to ask for forgiveness from a woman who lost her child.
This Transgender Day of Remembrance, let us take a look at six films about transgender children grappling with their identity in a heteronormative world that despises their kind and tries its best to invalidate their feelings.
Hanna Bergholm's 'Hatching' shows us that the modern version of the cardboard world trope is social media.
The director's latest is a dreamlike exploration of a consciousness torn between two homelands, and the implications of history and memory suspended in limbo.
The characters aren’t likable, the story is predictable and the humor is either disgusting, obnoxious, or uncomfortable. The Wrong Missy is a mess of a film and it’s not really worth your time.
The live-action remake brings adventure and shows viewers why representation is important in a Disney Princess movie.
Dramatic Horror!!! Wait, what?? Did you say "dramatic horror"?? IS there such a thing?? I mean, TRULY. Well, if San Francisco-based, Pakistani-born independent filmmaker Dr. Hassan Zee and this film critic have anything to say about it, there IS such a beast as experienced through the director's newest feature film set to officially debut October 4th in the City by the Bay. Folks, indie film will always be a bastion of experimentation and originality, and this film for me fits that bill.
