
On her birthday Christine decides to make a surprise train-trip for Arman. Since he doesn't like neither trains, nor surprises too much, he ignores her efforts to make the coupe cozy and the trip exciting. In order to attract his attention and to make him jealous, she starts waving from the train window to whomever she sees - a village man and a points-man. That provokes Arman to make up two stories about how this radically changed the life of the strangers. Unconsciously that game of telling stories leads them to a conversation that reveals the truth about their own relationship.
Crossroads follows a young guitarist on a journey through the American South in search of blues history and his own voice.
"The Platform" is horror and science fiction film doubling as a visual commentary on capitalism and economic inequality. The movie is not for the faint of heart nor the viewer hoping for political neutrality in their film's depth.
When they’re young, they’re America’s darlings but, when they become teens and adolescents, they’re instantly perceived as harbingers of immorality. They’re Lindsay Lohan, Macaulay Culkin, Justin Bieber, and Britney Spears. But, despite what many media outlets, politicians, and the general public may think, they are human beings above anything else. The new Billie Eilish documentary, Billie Eilish: The World’s A Little Blurry, proves this — showing the trials, tribulations, and humanity when growing up with all the world’s eyes on you.
Adapted from a 2014 novel by Atticus Lish, Preparation for the Next Life is the feature film debut of documentary filmmaker Bing Liu. With the help of screenwriter Martyna Majok, he paints a realistic and somber portrayal of Aishe, a Uyghur immigrant, as she struggles to make a living while undocumented in the United States.
Curry Barker’s film, Obsession, soars in success this past May leaving everyone who has watched it in extreme chills and disturbance. And taking it to new levels of why men are always the root of horror films even when they try not to be.