Sweet Girl's Mind-Boggling Twist Makes the Movie... Feminist
For the most part, 'Sweet Girl' recycles tired hyper masculine revenge tropes, but a surprise twist in the end turns it into a female-centric revenge film.

A made-for-TV propaganda short created during the height of 'the war on drugs' to expose drug usage amongst teenagers. Only two men who are aware of such a dire situation, Burt Reynolds and Judd Nelson, can lay their insight on the epidemic that's preying upon the youth of America.
For the most part, 'Sweet Girl' recycles tired hyper masculine revenge tropes, but a surprise twist in the end turns it into a female-centric revenge film.
Asha, the main character, is a biracial woman who discovers the power of magic wishing dust.
The “gay best friend”, an age-old trope, has been done in countless films and television series. Ranging from one-note (Sex and the City's Stanford and Mario) to nuanced (Unbreakable Kimmy Schmidt's Tituss), the gay best friend exists to support and advise the main protagonist, with their conflicts swept to the side.
If Top Gun needed to say it, Top Gun: Maverick makes you feel the need... the need for speed.
Praising Black representation and condemning the power structures that suppress it, a mother delivers an impassioned speech to her distant son.
"Boston Strangler" pulls the curtain back on a well-documented historical moment involving significant contributions from women reporters.