‘Dark Phoenix’ Failed to Present a Satisfying Finale
The final installment in the rebooted X-Men franchise.

France, 1813. Wellington orders Sharpe to join the dashing colonel Brand on a hazardous journey behind French enemy lines with the aim of blowing up an ammunition store. Sharpe's wife Jane becomes disillusioned with Sharpe's frequent absences. Left behind in the camp, she warms to the attentions of another admirer. Meanwhile, Sharpe is out in the mountains and is dangerously outnumbered, with with the French ranks closing in. He must risk his own life, however, to confront a far deadlier enemy on his own side.
The final installment in the rebooted X-Men franchise.
Lady Bird (Saoirse Ronan) tells her mother (Laurie Metcalf) that she wants to live through something — something that matters.
Despite the film’s efforts to reframe its heroine with modern complexity, a certain emotional distance lingers.
There’s enough evidence to insinuate that What We Do in the Shadows is intentionally queer-coded.
A film that focuses on an algorithm for a dating app that will bring viewers in for a surprise.
It is as bad as your remember, and you are fortunate if you've never watched it. Keep it that way!