Inuit Girls Hunt Alien Monsters in ‘Slash/Back’
Inuit girls use their Inuit tradition to hunt down alien monsters, enough said.

Irfan has been the moral political guardian to Arman the way Ahsan has been to him. Then why does a series of unfortunate events- female trafficking, drug smuggling, disappearing of a foreign journalist, a bomb blast- occur in their small town of Thanchi? Who are they that prey on the aborigines at night? Who are they, who roam around with blood-spattered faces and weapons in hand during Vaisavi? Why does Arman continuously end up as the scapegoat? Where does someone's gains lie in Arman's death? While finding answers to these questions, Arman falls into a rabbithole of ghoulish truths, making him lose his credence. Right there starts Arman's striking journey to save Pushpa, and his country. It is a story of Arman's love for Pushpa, of Ahsan and Irfan's love for their country. In some ways, it is a story of selling out your country, of Titli's life in orphanage, of Nazrul's sacrifice, and of Arman's mother's death. In hindsight, it is a story patriotism.
Inuit girls use their Inuit tradition to hunt down alien monsters, enough said.
Passing is a visually stunning portrayal of Larsen's story with an inclusive cast, and the performances of Thompson and Negga are sensational.
It’s 2021 and what few LGBTQ+ films that are produced by major film studios continue to star cisgender heterosexual actors, rather than actual LGBTQ+ people.
Another uneven "Guess Who's Coming to Dinner" redux that says nothing novel about its subject matter.
Netflix's Afterlife of the Party might fall into the rom-com genre, but it's much more about grief, strong female friendships, and platonic love than it is about romance.