‘The Wrong Missy’ is a Miss
The characters aren’t likable, the story is predictable and the humor is either disgusting, obnoxious, or uncomfortable. The Wrong Missy is a mess of a film and it’s not really worth your time.

The characters aren’t likable, the story is predictable and the humor is either disgusting, obnoxious, or uncomfortable. The Wrong Missy is a mess of a film and it’s not really worth your time.
Pose tells stories of queer joy and love in a time of intense hate and sadness.
‘Oppenheimer’ is a force to be reckoned with. A biopic that respects the audience’s intelligence.
Strangers in a crowd, exchanging glances, looking away, continually managing to run into each other then part ways, end up at the same diner, find they've rented the exact same vehicles, and are then made to travel together to learn once more whether they can both find genuine adoration and companionship again. This really does, in so many words, sum up the foundational gist of of this new feature film from writer Seth Reiss ("The Menu") and director Kogonada ("The Acolyte", "After Yang"). Yet, it's all only the set-up for the REAL wonder of everything that happens before, during, and in the aftermath of a magical, meaningful journey.
If you’ve been itching for a sign to finally go on that unforgettable summer camping trip, this is it.
Animation as a medium of storytelling can be thought to be open to all ages and as I hope my reading will reveal, 'Nimona' could be interpreted as a transgender story.