'The Invisible Man' (2020): The Hiddenness of Domestic Abuse
The 2020 remake of 'The Invisible Man' explores the hidden nature of domestic violence with a classic sci-fi character.

„Every city has his own Shanghai!“ „Shanghai Banzai“– it‘s an ironic short documentary about an old and poor district nearby Vilnius city centre called Snipiskes, which is also known as Shanghai. Film exposes a paradoxical situation where countryside with its multicultural (Lithuanians, Russians, Polish, Gypsies) community exists in the very centre of Vilnius. Also film tries to find out the origin of district’s nickname Shanghai. Film portraits inhabitants of Vilnius Shanghai, who have their own rules, loves, habits and sins. Most of them live in their Past still remembering their youth. Now modern skyscrapers exchange old wooden houses and nobody knows what is waiting for “characters” of Shanghai.
The 2020 remake of 'The Invisible Man' explores the hidden nature of domestic violence with a classic sci-fi character.
Between its problematic nature, its lack of originality, and the senselessness of its violence, Onslaught cannot be recommended in good faith.
As a huge fan of Sean Baker’s Tangerine, The Florida Project, and Red Rocket, I’ve wanted to watch Anora since before it even was released. But life got in the way, my watchlist grew, and honestly, the fact that it was marketed as a romantic comedy put me off. Even with all the critical praise and the five Academy Awards it won last year, I just kept postponing it indefinitely.
A quiet film that does not demand your tears but earns them. It explores love that lingers, timing that fails, and the silence between what was and what could have been.
Ever since the mid-’90s, the Mortal Kombat game franchise has seen multiple attempts to make it on the big screen, or at least adapted into other media.
YouTube surpasses Netflix but there is more to the story.