Shajiabang 

A bond between a girl and her dog takes an unexpected twist as the dog is not what it seems.

If you haven’t watched Good Trouble yet, you need to. This Foster’s spinoff, aptly named for civil rights champion and Congressman, John Lewis, follows Mariana and Callie Adams Foster as they begin a new chapter of young adulthood and navigate life, careers, social justice, and love.

Strangers in a crowd, exchanging glances, looking away, continually managing to run into each other then part ways, end up at the same diner, find they've rented the exact same vehicles, and are then made to travel together to learn once more whether they can both find genuine adoration and companionship again. This really does, in so many words, sum up the foundational gist of of this new feature film from writer Seth Reiss ("The Menu") and director Kogonada ("The Acolyte", "After Yang"). Yet, it's all only the set-up for the REAL wonder of everything that happens before, during, and in the aftermath of a magical, meaningful journey.

Netflix’s new mystery thriller, The Marked Woman (released originally as La Desconocida), is confusing. More critically, though, it commits the worst mistake a movie can make: it’s boring. From Spanish director Gabe Ibáñez, the film squanders its premise at every turn, fills the story with unlikeable characters, and lacks emotional payoff.

This coming-of-age movie based on the 1970 book by Judy Blume gives viewers a scope on female topics in the quest for a religious identity.

The major flaw of the series is that it’s hosted on Netflix and barely makes malicious comments about it despite being focused on the lives of people directly affected by the Capitalist mentality of the OTT corporation.