'Men' Disappoints with a Flat Examination of Misogyny
Despite its simple premise, “imagine being a woman,” the horror behind "Men" feels fueled by a hollow understanding of the insidiousness of misogyny.

A lone foreigner arrives in Saudi Arabia and treated with generosity and hospitality by the Arab tribals. But the guy (named Lawrence) has insidious motives. He has his eyes on the oil deposits deep under the Arab territories, which the Arab chieftain opposes vehemently. With cunning and duplicity he manages to overthrow the chieftain, and gets his way with the blessings of the incumbent ruler. He sets up an oil drill and refinery, and exports the oil to foreign countries while paying a token amount of cash to the Arab ruler. He also colludes with the local Jews and uses a popular cabaret dancer named Laila to get her followers and fans hooked on opium. But an Arab blacksmith named Haris has been on to Lawrence, and plans a resistance with the exiled former chieftain.
Despite its simple premise, “imagine being a woman,” the horror behind "Men" feels fueled by a hollow understanding of the insidiousness of misogyny.
The film does not add anything to its own conversation or genre, and falls flat once it’s about to end and must declare some sort of conclusion.
In Jeymes Samuel's history-infused, neo-spaghetti western, Black women are center stage with a fresh hip hop mixtape keeping rhythm in the backdrop.
A complex, realistic, and loving mother-daughter relationship is at the heart of this story about Black pageants and the fight for a better future.
We're in the midst of July, the month in which Americans are supposed to be at their most patriotic! With barbecues, beach trips, and fireworks galore, this is the month where we celebrate our country. For Incluvie, that primarily means diving into the wonderful "melting pot" of the diversity of American film! In between celebrating and feasting, it's important to remember the very basis this country is founded on: "liberty and justice for all."
"His Girl Friday" set the bar for romcoms and gave us a feminist heroine before feminism was cool.