After years of living in the city and working in a business world altogether apart from his roots, Mike, a westernized First Nations, is contacted by freelance reporter Maureen, who was enlisted by his grandfather, shaman Old Man Hawk, to track his grandson. When Mike assents to returning with Maureen, they find that the village is beset by the evil spirit of an ancient sorceress, Dsonoqua, animating beasts and objects and causing strange, deadly accidents. Only the heir of the tribe’s shaman can stand in the way of the evil and protect his people, but will Mike be able to harness his power in time?
Disney's live-action remake is vibrant and beautiful, with updated music and classic enthusiasm, but it fails to push the envelope and provide nuance for Ursula.
A film that focuses on an algorithm for a dating app that will bring viewers in for a surprise.
Joel Coen has gone solo to create perhaps the greatest version of Shakespeare's 'Macbeth' since Shakespeare himself.
An animated short film that never gets old, especially with iconic characters from the Disney series.
Though 'Bound' technically falls under the genres of crime and thriller, the film's heart is a romance between two women.
It only seems to prove that when the company had their backs against the wall and needed an all pleasing, generic movie that had to make up for The Last Jedi, they chose to sacrifice almost everything that made their main protagonist interesting and that made her stand out as the strong female character that a generation of young movie goers was supposed to look up to. Instead, we were left with a Rey that was so much less than she could have been. And I guess that’s the real story of Rey and The Rise of Skywalker; they could have been so much more, but they were just more of the same.
