"I Want Your Sex" Is The Erotic Thriller We Deserve
The Olivia Wilde renaissance is upon us.

Sit Muk-fu covets the beauty of the maidservant Ku Kar-lin. Ku concocts a scheme with her husband Wong Hoi to swindle money out of the lascivious man and has to flee into hiding with Sit being stabbed to death during their secret liaison. Detector Lui Hak investigates into the murder at Ku's house and arrests the husband who has a sharp knife in his possession. Bearing witness to the murder, their daughter Bo-bo fights to prove her father's innocence. Upon receiving a score of mysterious phone calls revealing Ku's whereabouts, Lui lures the woman out with Bo-bo as bait, subduing and detaining the suspect. The detective fathoms the mystery of the murder case which leads him to another suspect, But Kei. But has been extorting money from Sit and forces his daughter, the sole heir to his inheritance, into marriage in return for concealing his murder-for-money scheme. But submits to arrest without resistance while Ku and husband walk free, acquitted of the charges.
The Olivia Wilde renaissance is upon us.
This animated Christmas movie is based on the classic novel of the same name.
The Resort has an excellent climax surrounded by disappointments. Somehow, at a mere 75 minutes, this movie still manages to be 70 minutes too long.
The most divisive character in Multiverse of Madness is undoubtedly Wanda Maximoff. Is she good or evil? Is she "unlikeable?" I'm tired of the debate. I love Wanda because she's for us—she's for the women.
Complex relationships between mothers and daughters are far from a new concept, whether the strain comes from abandonment, beliefs, or trauma. In My Only Wish, an Incluvie Film Festival submission, Brenda Gutierrez’s take on her character’s maternal divide comes in the form of abandonment.
Outer Banks (2020-) knows its audience: young adults in a country that can’t stop romanticizing good ole’ treasure hunts. Add a little of Riverdale’s (2017-) sex appeal, and no one can look away. Forty years after The Goonies (1985) America’s consciousness hasn’t strayed from the same tropes: treasure hunts, a vulnerable white male lead, and the whitewashing of a racially segregated setting.