
The teenage siblings know that no one will give them a life more interesting than vegetating in a gloomy hole. They take matters into their own hands and organize a bank robbery, because money is their ticket to a better world. Everything was supposed to go smoothly, but then that fatal bad luck struck... Cop 1 isn't so bad: he keeps his wife in line because he loves her, he drinks because he's lost, he takes bribes because he needs money for booze. Cop 2 isn't bad either, he just supports Cop 1, who's in trouble, spiritually. Soon, the paths of the cops and thieves will cross...
“I’m always interested in exploring female fantasy, and the sexy witch is a loaded archetype that is simultaneously about men’s fears and fantasies about women, and women’s feelings of empowerment and agency. So whereas we are used to seeing the sexy witch or the femme fatale from the outside, I wanted to explore her from the inside.” - Anna Biller, on why she made The Love Witch
Based on a true story, when his beloved dog goes missing, the owner embarks on an incredible search with his parents to find him.
Ruben Östlund muses about his characters, “As soon as you get close to a person, you see them as just another human being”. It is widely recognized that aboard the luxury yacht in ‘Triangle of Sadness’, the different groups of people represent a small society as a commentary on classism and gender binaries.
"The Mitchells vs. The Machines" captures the eternal struggle between kids who want to pursue the arts and their practical parents who think they'll fail.
Greta Garbo, a queer actress playing a real-life queer Queen is the best of both worlds.