A small-time racketeer Stefek evades mob bosses by passing himself off as a mentally unstable cleptomaniac and laying low in an asylum. The racketeer and his closest devotee escape from the asylum and find work at the opera. Stefek becomes stage-doorman and soon discovers that the opera doubles as a brothel.
Bogusław Linda
Director
Zbigniew Zamachowski
Stefek
Tadeusz Szymków
Dudzio
Hanna Polk
Jolka
Marek Walczewski
Skowroński, dyrektor opery
Małgorzata Wiśniewska-Niemirska
Rena Holtz, primadonna występująca w roli Carmen
Zdzisław Kuźniar
Józek, szef statystów w operze
Cezary Harasimowicz
Chulio, szef maszynistów
Marcin Troński
Niedziela, dyrektor administracyjny opery
Beata Augustyniak
Laura, siotra Chulia
Grażyna Szapołowska
pani Grażyna
Grzegorz Ciechowski
"Uśmiechnięty", wysłannik pani Grażyny
At least we got the original cast back, right? Not even that saves it. None of them could bring a sliver of hope to this special. Rather, they bring dread as we witness the light leaving from their eyes.
This Halloween movie is based on the toy line of the same name.
“To be universal, you have to get specific”: while the film does not attempt to provoke discussions about queerness or race, those watching closely may find something resonant in Sorrentino’s love letter to the Naples of his youth.
A legacy based on the comic strip for old and new fans of Peanuts.
The assassins in Bullet Train are quirky, deadly, and diverse. Yet, they all seem to be some type of caricature. While the movie is fun and action-packed, it’s also packed with stereotypes that don’t make for the best representation.