Bring Her Back: the Psychological Threat and How to Grieve Properly
The external threat invaded the domestic environment at the most valuable moment: grieving.

Harry Smith is your typical sexually-unfulfilled husband whose wife Olivia is more interested in UFOs than in him. With the help of his friend Sam, Harry makes Olivia believe that he has been abducted by aliens, when really he has an affair with the new dancer at the strip club which he and his wife own. But the tables are turned when Harry really is abducted by aliens, and they give him the remarkable ability to bring a woman to orgasm simply by looking at her.
The external threat invaded the domestic environment at the most valuable moment: grieving.
So with the recent (rightful) public apologies to Britney from comedians and media for trashing her image in the 2000s, perhaps some people should also give Crossroads the fair chance it deserves. It won't be everyone's cup of tea, and that is fine. Personally, I will take my girl Britney and her movie, over the next testosterone "Dude Flick" any day.
There were too many irrelevant parts that could have been shortened, and too many characters that didn't advance the plot. Either way, some things didn't add up. This was just another played out plot with little, if any, originality in it. By the end of the film, I wasn't happy that she finally got her freedom, I was happy that it was finally over.
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