
This film is about the adventures of cowboy Tom as he sets out to exact revenge on his father’s killer, Taylor. Tom is a cowboy from Nevada. He lives on a ranch in Nevada with his father. One day, he goes to Texas. He gets into trouble here, and is unable to return home for a while. Forced to work in a stone pit, Tom eventually escapes. But once he gets home, he finds the ranch burned down and his father dead. Tom goes back to Texas to avenge his father
There’s enough evidence to insinuate that What We Do in the Shadows is intentionally queer-coded.
This thrilling film about feminine rage and male hostility is an incredible depiction of the fragility of the male ego.
By undermining the appeal and credibility of black characters, the show compromises the very idea of diversity and representation it sets to promote.
'Yes, God, Yes (2019)' is a coming-of-age tale about a Christian teenage girl discovering her sexuality, the turbulence that comes with it from within herself, and the judgment from those around her.
These confines won’t really encourage you to read the film as a metaphor for the nerve-inducing experience we’ve all been through over the last year, however — and in the interest of maintaining your dignity, you probably shouldn’t. While the sociopolitical commentary may have worked for the similarly-themed Buried (2010), in which we find Ryan Reynolds on his own buried alive in the Middle East, but this futuristic take on the premise is best left as a piece of distracting entertainment. Nevertheless, the atmosphere is no less suffocating, literally and dramatically.