Time To Get Critical About Representation in “Shameless”
A decade since it aired, Shameless (U.S.) has always stuck to its guns (and baseball bats) about character diversity.

Years after the first film, Akmal and his robot wife try to settle into married life, but his mother refuses to accept her daughter-in-law. To win his mother over, Akmal decides to build another "ideal" robot woman. Sequel to the 2007 Uzbek comedy Sevginator.
A decade since it aired, Shameless (U.S.) has always stuck to its guns (and baseball bats) about character diversity.
Facing the world with our fair share of uncertainties and/or apprehensions, many of which, sadly, may be well-founded, is nothing to sneeze at. Influenced and buffeted by the constant barrage of social media, fake news, and general upheaval present in our contemporary reality, what IS real and what's not becomes a blur.
Ultra-violent storytelling has never been my thing, but the issues with Scarface go beyond that. The film perpetuates harmful stereotypes about Latinx immigrants and uses gore and misogyny for shock value that never serves any purpose. The whole venture is frustratingly empty, and left me desiring something more.
The characters aren’t likable, the story is predictable and the humor is either disgusting, obnoxious, or uncomfortable. The Wrong Missy is a mess of a film and it’s not really worth your time.
The Conjuring: The Last Rites delivers a thrilling mix of scares and heart. From the axe-wielding ghost to the Warrens’ emotional farewell, Patrick Wilson and Vera Farmiga shine. Fans get a chilling, atmospheric conclusion that’s worth watching in theaters.
Viewers get a glimpse of life of mediocrity in a world where humans and cartoon characters live together in this comeback.