
Shot at a children’s cemetery seven years after Chornobyl. The author is delicately showing human grief from the point of view of not an outside observer trying to shoot reportage but a parent like his heroes. The death of an adult is a tragedy, while child’s death is a catastrophe. As long as such cemeteries exist, this pain will exist, too.
I first saw Dear Evan Hansen on the Broadway stage. Apparently, I was so blown away by the magic of theater that I didn’t pick up on the questionable dynamics. The story's clumsy handling in the movie brought those issues to light.
The latest MonsterVerse film delivers everything it promised.
A chilling return to the Final Destination franchise with a terrifying twist on fate. Bloodlines explores whether Death can hold a grudge across generations—and what happens when the past won't stay buried.
It's good for your film viewing needs, but isn’t going to shake your world. Demonic is trippy sci-fi fun, and that’s about it. And that's pretty cool.
One of THE most frustrating trends in the mainstream film industry over the last several decades has been the onset of comedy efforts that seem SO focused on being crude and/or gross-out in all ways possible. That, at least for me, makes them no longer funny.